Join our community of Indian Classical Music Lovers!

Get exclusive access to translated music theory as written and spoken by the Gurus of Hindustani music!

Shweta Pandya Shweta Pandya

Thaat Classification System in Hindustani Music

The ‘thaat’ system in Hindustani music was created as a way to classify the countless ragas that exist within the style. It takes ragas with similar features and groups them together.

Subscribe for as a low as $3.99/month for access to this and more theory!

Read More
Shweta Pandya Shweta Pandya
Preview

Raga Yaman

Raga Yaman, also sometimes known as Raga Kalyan, is usually one of the beginner ragas taught to students because it uses all of the 7 notes. This raga is considered to be the Janaka Raga/Ashraya Raga of the family Kalyan.

Read More
Listen and Learn, Theory Shweta Pandya Listen and Learn, Theory Shweta Pandya

Raga Bhoopali

Raga Bhoop or Bhoopali is the first raga taught to most students of Hindustani music. It uses 5 of the 7 shuddha swaras of the saptak; Madhyam (Ma) and Nishad (Ni) are not allowed in this raga. Its jati is audhav, meaning that both the aaroha and avroha have 5 notes.

Subscribe for as a low as $3.99/month for access to this and more theory!

Read More
Theory Shweta Pandya Theory Shweta Pandya

What is a raga?

A raga is considered to be the soul of Indian classical music, whether it be Hindustani or Carnatic. It is the backbone of classical music.

Subscribe for as a low as $3.99/month for access to this and more theory!

Read More
Theory Shweta Pandya Theory Shweta Pandya
Preview

Introduction to Sur and Swara

These shuddha swaras, or notes, have been established in our ancient musical scriptures. The combination of these 7 notes creates a saptak, or an octave: SA RE GA MA PA DHA NI SA

Read More